SHORT TERM HIATUS

Tally Rose's Foxy Ladies is on hiatus this month; we'll be resuming regular updates next month in June. In the meantime, consider checking out The Swan Archives , a truly impressive archive dedicated to Brian De Palma's cult-classic Phantom of the Paradise (1974). Though De Palma's now a well established director with huge cinematic hits like Scarface (1983), Mission: Impossible (1996) and of course, Carrie (1976), his rock opera adaptation of Phantom of the Opera remains a polarizing horror-comedy that audiences seem to abhor or adore.

Highlights include the scene-by-scene exploration of the film, and the incredibly detailed notes on the production.

HAJI CAT

Very little is known for sure about the mysterious Haji, also occasionally credited as "Haji Cat" and "Haji Catton", we don't even know the story of how she got her famous moniker (when questioned, Haji says that story is a long one). One thing that is known for sure however, is that the notorious sexploitation king Russ Meyer thought enough of her to cast her in several of his films, --a noteworthy accolade from a director known for usually only working with an actress once or twice, and then never calling her again. How Haji got started in show business appears to be another one of her mysteries but she did spend some time working as an exotic dancer at a club called The Losers on La Cienega Boulevard in LA. While she was workin' it as a go-go dancer, she met Tura Satana, who Haji later introduced to Russ Meyer. The two would co-star in what is one, if not the most famous and acclaimed of all his films, 1965's Faster Pussycat! Kill! Kill!.

Before portraying the eclectically accented third of the hell-raising hell-cat gang, Haji starred in Motorpsycho! (1965), the third of Meyer's black and white gothic melodramas. Though the plot revolves around Corey, an ineffectual veterinarian attempting to avenge the rape of his wife, Haji's Ruby Bonner is easily the most compelling character in the narrative. A newly remarried Cajun widow, she falls out with her current schlub of a husband on the road, and decides to team up with our "hero" to seek vengeance on the gang-raping bikers that killed her previous husband. From the moment she appears, Ruby becomes the hardest driving force in the film. It is Ruby who sucks the poison out of Corey, it is Ruby who watches over Corey as he rests and recovers from the poisonous snake bite, and it is Ruby who defends herself and Corey from one of the bikers with a classic mantis move.

After Faster Pussycat! Kill! Kill!, Haji continued to work with Meyer, appearing in Good Morning...and Goodbye! (1967), Beyond the Valley of the Dolls (1970), and Supervixens (1975). She often wrote her own dialog for her parts in Meyer's films, and contributed psychedelic elements, like body painting, adding extra atmosphere to his rural sex-romps.

More than just a staple of the Russ Meyer stable, Haji appeared in John Cassavetes's crime-drama The Killing of Chinese Bookie (1976). She had a supporting role in the outrageous "women-in-prison" sexploitation film Ilsa, Harem Keeper of the Oil Sheiks (1976) as a spy disguised as a dancing girl, and also made an appearance in the musical '70s soft-core take on Don Quixote, When Sex Was a Knightly Affair (1976).

Born in Quebec, Canada, Haji now lives in Malibu, California. Though more or less retired from acting these days, she still gives the occasional interview, and has contributed to several "making-of" documentaries over the last decade including Go, Pussycat, Go! (2005) a short documentary on the making of Faster Pussycat! Kill! Kill!. A long-time supporter of environmentalism, Haji has maintained a keen interest in nature and the outdoors throughout her life, reportedly starting her mornings by body-surfing in the buff at 6am.

From the Burlesque circuit to the Cult Cinema circuit, Haji's been there and back. However, she's given several interviews over the years and never sounds cynical. Instead she reveals herself to be smart and savvy, if perhaps a bit spacey. Whether she's living the glamorous life as an entertainer on La Cinega, or the quiet life near the coast, thinking about all the little creatures in the ocean, Haji remains one of the most mysterious and fascinating figures of exploitation cinema.

Further Reading:

Big Bosoms and Square Jaws: The Biography of Russ Meyer, King of the Sex Film; Jimmy McDonough,(2006)
Invasion of the B-Girls; Jewel Shepard, (1992)
Motorpsycho clip

TAMARA DOBSON

Standing at a statuesque 6'2, Tamara Dobson was, and remains, one of the tallest leading ladies to ever feature in film. Starring in just a handful of motion pictures, Dobson immortalized herself in pop-culture consciousness as the unforgettable Cleopatra Jones in 1972's Cleopatra Jones. A fierce action heroine and fashion icon, Jones is dedicated to bringing down the predatory drug-dowager Mommy (Shelley Winters), protecting her community and delivering some sweet '70s justice. In contrast to many other films of the day, Dobson's Cleopatra was not handing down justice as a rogue vigilante, but as a US Special Agent in the CIA.

Dobson’s characterization as a highly-competent agent working within the system of established authority is still a revolutionary one. Both ancient history and modern-lore are filled with charismatic rebel women, rising up and reigning down vengeance on those that have wronged them or their people. From the Trung Sisters, to Boadicea, to Phoolan Devi, to Coffy, when just retribution is delivered from a lady's hands, Lady Vengeance is overwhelmingly represented. A Black woman amongst the ranks of organized authority is a radical representation, suggesting that those most oppressed by the system can come to matter within it and wield its powers to protect and serve others who have been similarly marginalized and oppressed.

The visual iconography of Dobson's Cleopatra in both Cleopatra Jones and its sequel Cleopatra Jones and the Casino of Gold (1975) juxtaposes sleek and chic Giorgio St. Angelo pantsuits with flamboyant wide-brimmed hats and big fur-trimmed coats, constructing a heroine who is rugged yet feminine, and stylish and desirable without being overtly sexualized. Dobson, who did her own make up and provided considerable input on the aesthetic creation of her character, refused to do nude scenes. Refusing to appear nude has helped distinguish her image from that of some of her contemporaries, and further established her reputation as a star in a genre where fame often came and disappeared quickly. That audiences never see Cleopatra Jones in the buff further cements her character as occupying a position of power, authority, and agency; Jones is never nude and nigh invulnerable.




Though Cleopatra Jones is oft considered to be the defining role of Dobson's career, her first credited role was in Fuzz (1972), an action crime comedy picture that starred Raquel Welch and Burt Reynolds. Like many other foxy ladies she worked in modeling before she worked in acting, gracing the pages of Vogue, the covers of LIFE and Redbook as well as television commercials for Chanel, Revlon and Farbrege. Before her modeling career, Dobson earned a degree in fashion illustration from the Maryland Institute College of Art. After Cleopatra Jones and the Casino of Gold Dobson starred in Norman...Is That You? (1976) and Chained Heat (1983). She also worked in television, playing a series regular on Jason of Star Command (1979-1981), and making guest appearances on series such as Sanford and Son (1977) and Buck Rogers in the 25th Century(1980). Her final role was starring in 1984's Amazons, a made-for-TV movie about... Amazons.

In 1976, JET magazine reported that Dobson was writing some screen plays as well working on a record for MCA. Unfortunately, none of these projects came to be and Dobson continued working as a model, becoming the face of Farbrege's Tigress fragrance at the end of the 1970s. Some time in the mid-1980s, Tamara seemed to disappear from the radar screen as well as the cinema and television screens. Little is published on her life and career post-1985 outside of the fact that she spent most of her life in New York City. Shortly after being diagnosed with multiple sclerosis, she returned to her hometown of Baltimore, Maryland. A few years later in 2006, Dobson passed away from complications of pneumonia and multiple sclerosis; she was 59.

Though her acting career was relatively brief, Dobson established herself as a star and a cultural touchstone of the '70s. Forty years after Cleopatra Jones, she remains a fashion icon and inspiration to many, having introduced some of the most elegant fashions of the decade. Her star-image and the characters she played have caught the interest of many film and cultural studies academics writing on representations of race, gender, and sexuality; her career is celebrated by a variety of movie geeks and cinephiles. A woman of multiple accomplishments, Tamara Dobson's memory lives on in film, fashion and fierceness.

Recommended Reading:

Brody, Jennifer Devere. "The Returns of 'Cleopatra Jones'", Signs 25:1 (1999): 91-121.
Dunn, Stephanie. Baad Bitches and Sassy Supermamas: Black power action films. Champaign: University of Illinois Press, 2004.
Sims, Yvonne Women of Blaxploitation: How the Black Action Film Heroine Changed American Popular Culture. Jefferson: McFarland and Company, Inc., 2006.

JOANNA LUMLEY

The absolutely foxy Joanna Lumley had her first forays in front of the camera as a swinging sixties model, but it wasn't too long before she moved from the still image to the motion picture in 1969. She's played roles ranging from Bond Girl, to action icon, to a Van Helsing, to science fiction elemental being, to the infamous Eurydice Colette Clytemnestra Dido Bathsheba Rabelais Patricia Cocteau Stone, and her career shows little sign of slowing down anytime soon.

Before becoming a television star in the late 1970s, Joanna Lumley appeared in several fantasy, science fiction and horror films. After playing The English Girl in On Her Majesy's Secret Service (1969), Lumley appeared in a fantasy-horror feature based on the Scottish folk tale of Tam Lin. Released originally as The Ballad of Tam Lin (1970), this film is also known as The Devil's Widow, The Devil's Woman and Games and Toys. Starring Ava Gardner, Tam Lin retells the famous legend with a group of young and beautiful jet-setters under the power of Gardner's Black Magic Woman. Lumley only puts in so much screen time as one of the PYTs frolicking on the huge country estate but she is just as immediately striking and instantly recognizable as she is in any of her starring roles. A couple of years later, Lumley appeared as Jessica Van Helsing in what would be the eighth Dracula feature for Hammer studios, and the final starring Christopher Lee as Count Dracula, a film called The Satanic Rites of Dracula (1973). While this film is largely considered to be the worst of the Hammer Dracula series, her turn as a scream-queen was well received. Interestingly enough, in this film Lumley was replacing Stephanie Beacham, co-star of the aforementioned Tam Lin, who had played Jessica Van Helsing in Hammer's previous Dracula picture Dracula AD 1972 (1972), this film is largely considered to be the second worst Dracula film in the Hammer catalog.

Though the comely Miss Lumley may now be best known for her comedic talents as Patsy Stone in Absolutely Fabulous, she was an action heroine first. Just like fellow foxy ladies Diana Rigg and Honor Blackman, Joanna Lumley has been both a Bond Girl and an Avenger. From 1976 - 1977 she thrilled ITV audiences as the sharp-shooting secret agent Purdy. Credited with helping to name the character, Lumley high-kicked her way to becoming a television icon that combined a cool charm with an athletic sex appeal. Later that decade she starred in the cult science fiction series, Sapphire and Steel. Though made on a tight budget, the series made good use of staging and special effects. With its tense, sometimes slow pacing and eerie atmosphere, Sapphire and Steel often combined science fiction with the supernatural, adding an extra element of mystery to this striking and strange series. Curiously enough, despite the immense popularity of other similar science-fiction fantasies such as Dr Who, Sapphire and Steel has never been re-broadcast on terrestrial television.

Even after solidfying her image as a comedy star in the mid-nineties with Ab Fab, Joanna Lumley never abandoned the Horror and Fantasy genres. In 1997 she appeared as Morgan Le Fay in Prince Valiant, an incarnation of the Arthurian legend that starred Stephen Moyer. That same year she co-starred alongside Ben Kingsley as Mrs. Lovett in a television movie version of Sweeney Todd. Lumley has also done quite a bit of voice work, lending that gorgeous cut-glass voice to Tim Burton's 2005 animated feature The Corpse Bride, recording audio books including several of the James Bond novels by Ian Fleming, and to informing users of AOL's UK service that they've got mail.

These days Lumley is likely just as well known for her activism and charity work as her acting roles. In 2008, she became the public face for the Gurkha Justice Campaign, advocating for the right of all Gurkha soldiers who had served in the British Army to be granted the same right of abode as their commonwealth counterparts. Impressed with her passionate campaigning, some called for her to run Parliament, but she dismissed the suggestion stating that she had no desire to run for election.

Despite becoming a household name as a comedy star and a celebrated charity organizer, Joanna Lumley has never tried to distance herself from her genre work. In her interviews and appearances she's just as proud of her roles as a Bond Girl and as the action icon Purdy, as she is of her acclaimed performance in the monolog series Up in Town. With several books, dozens of television and film roles and countless media appearances to her credit, this silver fox is not stopping anytime soon. Having just finished a turn on the stage as the iconic Eleanor of Aquatine in The Lion in Winter at the Theater Royal Haymarket, she's scheduled to reprise her most famous role as Patsy in a special episode of Absolutely Fabulous later this year.

-Trailer for The Satanic Rites of Dracula
-Brief documentary on Sapphire and Steel
-Joanna Lumley and Gareth Hunt promoting the 1994 video release of The New Avengers

Picture this!

Happy birthday to the very talented, very cool, very foxy Debbie Harry! Her career spans from folk musician to actress (her filmography includes films directed by David Cronenburg, John Waters and Amos Poe) to singer and song-writer in one of the most iconic bands to have emerged from the New York punk scene.

Check out this spot from Andy Warhol's Fifteen Minutes, 47 seconds with two people who managed to become very famous alumni of both Studio 54 and Punk Magazine's Mutant Monster Beach Party.